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Vendredi 21 septembre 2007
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REGNER has left us a large collection of engravings which describe the same themes as most of his paintings, though, they also, at times, address new themes not found in his paintings. The maze of the automatic drawing, flowing undulations or merciless lasso, hypnotizes the viewer and makes him more receptive to the piece of art; in the paintings, he plays with the opulence of shapes [...]
Mercredi 19 septembre 2007
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This clearing of the subconscious, this rigorous and ruthless look upon ourselves naturally leads to the question of the sacred. The Sacred in REGNER's works appears like a meditation about death: "Piéta selon Saint Jean", and the three "Mise au tombeau". Yet, the attentive care that surrounds the precious body, the gentle and enveloping gestures also suggest the imminence of a [...]
Lundi 17 septembre 2007
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REGNER does not ignore humor, as we can see with the satisfied toad which has gorged itself and the finesse of the sly wolf in "La gueule du loup". As we also see in "Le bon vivant", a pasha bird is well installed in his merry harem and cuddled by a female duck. In "Démangeaisons", we see that monsters, too, have lice. Each time, REGNER defines types of humanity. In "Le petit déjeuner [...]
Samedi 15 septembre 2007
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In addition, this strange world often describes certain aspects of the everyday psychology that the painter keenly observes. In "Le pot de vin", a difficult bargain pits a cupid-shrew (a genuine Celestine from Fernando de ROJAS), and the hesitant man. A marvelous orange parakeet is at stake and the deal-sweetener is a bottle of Tavel. So, too, in "Le tentateur " - with the young lady [...]
Jeudi 13 septembre 2007
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Of his bizarre characters, we could say, as Pasteur said about Odilon REDON's painted monsters, "they are viable". Despite the fact that they are hybrid organisms, they are coherent beings, composed of malicious men and ducks, of a cackling winged race, of a very snobbish parakeet, of the rabbit from Lewis CARROLL's underground world, of Disney's jovial mouse, and of the rustling army [...]
Mardi 11 septembre 2007
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The soft feminine figures with their radiant honey colors or pure azure are, as well, images of serenity and lucky us if they can save us when, after the hourglass is turned over, we stumble into the immediate future. They are like the Virgin of the Tapestry, or like Saint Martha, the only one able to tame the unicorn and the tarasque, fabulous dragon from Provence. [...]
Dimanche 9 septembre 2007
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It is as if we lived in an instant of security and illusory tranquility just before the cataclysm. But don't be fooled, those familiar demons aren't what we think they are. We have been led to believe that their play is innocuous. A subtle ruse to better circumvent our all-too-trusting naiveté. Buzzing hordes of the subconscious, faithful subjects of the Lord of the Flies, [...]
Samedi 8 septembre 2007
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The hundreds of various acts that REGNER offers in his paintings could almost be a series of somewhat fantastic fables, but while fables lead to a moral conclusion, REGNER's work holds us suspended in the false and precarious balance of a present for the time being held in the midst of an anxious questioning. . He does not give us the answer but involves us in a situation that we [...]
Vendredi 7 septembre 2007
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REGNER's work -- secret, unclassifiable -- might puzzle the spectator. His monsters, might trouble him, but the viewer should be reassured by the charm of the lovely feminine figures wandering here and there, and by the sensual beauty of the painting as an object beautiful for its technique and color. As in Chinese cooking, REGNER combines the sweet and sour, the bitter and the sweet [...]
Jeudi 6 septembre 2007
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Next step, the automatic drawing is meticulously retraced with chalk on the background and traced again with white paint. Finally, shapes and figures are expressed and defined by a subtle work of light pastes, glazes, and a "stretched" color, when the brush smoothes the asperities on the surface and creates a precious, vibrant epidermis. Sometimes, under the successive [...]
Mercredi 5 septembre 2007
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He experimented with all kinds of techniques, though only kept what fit his personal approach. He would begin each new work with sketches drawn automatically, "Preliminary to paint, my drawings are automatic drawings. I try not to think about anything and let my pencil trace whatever it wants. Then I look at what I have done and try to read shapes. In other words, I project myself into [...]
Mardi 4 septembre 2007
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In 1941, he is hired as an Art Teacher at the Lycée François 1er in Fontainebleau. He lives at the edge of the forest, a mysterious forest with its bizarre rock outcroppings, its tormented trunks, its torturous roots, and its strange gypsum flowers. This mysterious atmosphere will reinforce his attraction to introspection and the paranormal. Now, he can pick the [...]
Lundi 3 septembre 2007
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In 1937, a severe car accident forces him to stay in Normandy by the sea for his rehabilitation. He enjoyed fishing, and tracking enormous octopuses in their rocky caverns. Were not these the Mothers of the monsters of his future bestiary? In 1938, he is able to take up his activities again, and passes on to his students what his masters have taught him. To this, he adds his own [...]
Dimanche 2 septembre 2007
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1929-1932 He studies in Paris at the Ecole du Louvre and at the Ecole Nationale supérieure des Arts Décoratifs. He becomes massier, master teaching assistant at the Atelier Jaulmes and, there, learns the "L'Art Décoratif" the true art in which you don't decorate a surface or add an ornament but perfectly integrate an object's decorative aspect by its design, shape and color. [...]
Samedi 1 septembre 2007
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In 1927, he performs his military service in Tunisia where he discovers a very pure light that he captures in a series of watercolors. A crystalline purity of the light, which later emanates from his paintings. Stained glass equally fascinates him because of the way the light refracts through the antique pieces of glass set in a network of lead. He designs and creates [...]

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